The walking Dead, Mid-season Finale:“Too Far Gone” The fall of the Governor?

In the comic book, the Governor was killed by Lilly Caul (in the TV series, Lilly is Megan's mother) after realizing that the Governor has forced her to kill Lori and Judith during the attack of the Prison.

In the TV series, who do you want to end the Governor's life? Michonne or Rick or Daryl? Why?

Watch sneak peek for the mid-season finale episode “Too Far Gone” here: http://bit.ly/IoKA3d

Norman reedus/ daryl Dixon , poses with his cat, and it's adorable

Daryl dixon (Norman Reedus: The walking dead : Video

The Walking Dead’s Daryl & Michonne?

The Walking Dead’s Norman Reedus Says Michonne’s Cute, Wouldn't Mind a Romance!

We all Love Daryl Dixon (Norman Reedus) and we sometimes wonder who the lucky lady is going to be? right? .....

In recent episodes we notice how well Michonne and Daryl get along, It's fun to watch. The little remarks they make to each other and all. Here is a recent interview of Norman reedus lets here what he has to say about some of the things happening in The Walking Dead so far.

 At the end of episode four this season, Rick seemingly kicked Carol, one of the series’ original characters, out of the group for good. The backlash came strong, swift—and straight into Reedus’s pocket.

“I was watching the episode last Sunday, when Rick leaves Carol behind. All of a sudden I got all of these text messages like, ‘What the fuck’s wrong with him? How could he do that?!’ They got seriously mad at him for leaving Carol behind!” Reedus laughs. “Andy [Andrew Lincoln, who plays Rick] happened to call me the next morning and I’m like, ‘Dude, everyone’s mad at you!’ He goes, ‘I know. I went to my local coffee shop this morning and they were like, ‘Who do you think you are? How could you just leave her on the side of the road like that?’ And [Lincoln’s] like, ‘Just give me my coffee. I stand behind my decision.’”

Every character has fans who say, “If that character goes, I’m gonna blow up a building,” says Reedus. But none have quite the following that Daryl Dixon does. Unlike most of the others on the show, Daryl is not based on anyone in The Walking Dead graphic novel series. He was created especially for Reedus after producers watched him audition for the part of Merle Dixon (the violent, racist character who ended up being Daryl’s older brother). Piecing Daryl together was a collaborative process between Reedus and the directors that resulted in a hard-on-the-outside, softie-inside guy who audiences are now fiercely attached to.

“There were early scripts that had me being racist and taking drugs and just playing Merle’s part,” Reedus remembers. “And I fought not to take drugs and not to say racist things. I wanted him to grow up being sort of embarrassed of who he was, so that when people start to trust him and believe in him, it means more to him than what you think. Being accepted is a big deal to him.”

Enter Daryl’s romances. 

when it comes to the youngest Dixon: All it wants is for him to settle down with a nice girl. He’s thought to have shared a special connection with Carol . But there’s a special subset of fans devoted to a different, more badass Walking Dead pairing: Daryl and Michonne

here is what Norman reedus had to say: “Never say never,” Reedus says of the possibility. “She’s a cute girl. I’m not opposed to it.”

The two had a few close moments in episode four, when Michonne finally gives up her futile missions outside the prison in search of the Governor.

“In that whole scene, there’s so much of me telling her to stay,” Reedus says. Of the moment when Daryl tells Michonne that he’d be out there hunting with her if the trail hadn’t gone cold, Reedus says, “I like the way that played out, when she said, ‘You’re right.’ I don’t even look at her, I’m just like, ‘Good.’ I don’t like it when things get overly sentimental. You think about these characters and their life, it’s just tragedy on tragedy on tragedy. I like the fact that she’s starting to integrate into this group and she’s starting to let things go. It’s nice to see her smile.”

----------------------------------------------------------------------------------------------

(oooohhh) so what does every one think?? Daryl & Michonne? yay or Nay? comment please.

'Walking Dead' Can the Governor Really Start Over?

"The Walking Dead's" David Morrissey

"From now on, the dance that he has to play is about which person is he going to be," the actor tells The Hollywood Reporter.

[Warning: This story contains spoilers from the "Live Bait" episode of AMC'sThe Walking Dead.]

AMC's The Walking Dead revealed the Governor's (David Morrissey) backstory Sunday with an episode that picked up immediately where season three concluded, showing the eye-patched villain on the road after his brutal massacre on his own group.

Out on the road after his two henchmen abandon him overnight, the Governor sets up camp with a new group holed up in an apartment building (still!) waiting for the National Guard. There, he goes by a fake name (Brian) and shaves off his beard and shaggy hair -- the signs of his downward spiral and the trademark image of his comic book counterpart. As he bonds with sisters Lily and Tara and young Megan, he saves their lives after their father passes and turns.

Ultimately, "Brian" and the girls hit the road together in search of a better shelter and a new life -- as a new family after the Governor burns the photo of his late loved ones.

The Hollywood Reporter caught up with Morrissey to break down the events of the episode and preview next week's second Governor-focused episode.

The Governor tried to reject companionship. Why?

What we see in episode six is a madman wanting to be isolated, to be on his own, not wanting to have any responsibility. But when he encounters this new family, he realizes that he can reinvent himself and his past. It can give him the opportunity to live as a different person. That's a massively liberating thing for him; he didn't want to get involved with anybody else and have to care about them, love them and have responsibility for them. He's fighting that, but he loses that battle. He has to admit to himself that he does care and he can love. A normal society would think of that as a very positive emotion -- that he is engaged. But in this world, it's a dangerous emotion because if you've got something to lose and fight for, then you're going to get hurt.

Why does the Governor burn down Woodbury?

There's a sense of destruction about it that that was the place he built. His hopes and dreams of another future were placed in that community; that was where the new world was going to be formed. There's something in that destruction -- saying that isn't going to happen, so let's scorch that and get rid of it. It never existed to him. There's a sense from then on that there is closure from his past -- that Woodbury didn't ever exist, that the people didn't exist. There's a blackness about him from then on. It's just a blank space, and that's what he walks away from. Woodbury was built and it could be built again. He doesn't want anybody going to Woodbury. That was his dream and his hopes and dreams were put into that place. The last thing he wants is Rick or anyone to inhabit that space.

Where does he get the idea to use a fake name?

He sees this amazing bond on the wall with messages from survivors. Those are messages of hope, but when you see them written together, they're really messages of despair and of a world gone mad. He sees it as a testament to how the world has gone crazy so that when he's reinventing himself and he tells the story about the past and where he used to live, that name pops into his head. It gives him an identity and place because he's able to say the name of a real person -- somebody who he knows was on the road. It gives him a real chance at total reinvention. Inside that is hope that the name can live on.

The Governor at first folds over his portion of his family photo before ultimately burning it. What's his thought process there? Can he no longer look at himself after what he's done? Is he saying goodbye to his former family in place of a new one?

It's a bit of both. What he looks at is a vision of goodness: his wife and child in good times -- but he can't look at himself because that vision of goodness is gone. When he reinvents himself, he's acknowledging that that's gone now and he has to let that go. He has to rebuild and reinvent and totally commit to going forward. His past is where there are stones around his feet that will only drag him down, and he's got to really invest in his new life. He has to become this other man. He can no longer be Philip, and he has to take away all ties to the past.

We get a glimpse of what the Governor was like as a father when he bonds with young Megan. Is this a way of regaining his humanity?

There's an amount of that that's always there; it's an innate thing. Nobody is all gray and no one is entirely bad. We are a mishmash of those things all the time. The Governor is not saying, "What would it be like to be nice to this young girl?" It's a natural state for him to be, as natural as other messy stuff that he does. It does awaken a great responsibility in him for this girl, her mother and sister. He hates having responsibility, but he is a man who works well with it. Talking care of people he really loves is when he's at his best; it's not something that's manufactured. What I like about that scene is that he's really closed down; he's not going to talk or engage with anybody else. The great thing about kids is they're truth tellers. They don't skirt around politeness. Everyone wants to say to him, "What happened to your eye?" but it takes this little girl to say, "What happened to your eye?" Because she asks him a direct question, it knocks him off-guard and he suddenly goes back to being this playful person. When he says he's a pirate, she gets right under his defense and he starts laughing -- and breaking down at the same time because he can laugh, cry and love. What he wanted more than anything is to build an imaginary padded cell so that nobody could touch him, and someone touches his heart, and from then on he's just falling.

Lily and "Brian" wind up hooking up. How will he handle this romance in a way that's different from Andrea?

He's a different man. With Andrea, he had all sorts of secrets going on in order to keep Woodbury going. He had a different ego: He was in his mancave and he had all attributes of success and was drunk on power. He doesn't have that now and is a man with nothing. He's a homeless guy they take in. He's a much more vulnerable man in every sense. He's more emotional. He's much more open, in a way. Even though he's trying to keep people away from him, there's something about how they touch him in a different way. He's looking at Lily and Megan as if he's looking at his own wife and child. There's an element where he burns his past so that he has to invest in the future and the new people in his life. She's a different woman as well: Andrea was a fighter and had seen terrible things and fought battles; Lily has been isolated in this apartment, and she needs protecting in different way.

Caesar (Jose Pablo Cantillo) and Shumpert (Travis Love) -- the lone witnesses to the Governor's atrocity -- abandon him, but he winds up crossing paths with Caesar at the end. How will "Brian" explain who he really is to Lily, Tara and Megan?

His real problem is that he has spent the entire episode reinventing himself with these people and then someone from his past walks right into his life. That's going to be his problem in episode seven and from then on -- how can he be Brian when he meets someone who knows all about his past? How is he going to play that? That will be his dilemma going forward. The question of how long he can keep this going for, that's this season. From now on, the dance that he has to play is about which person he's going to be. Who will win out? Will it be Brian or the Governor who wins out? Or a new character in between those two characters, who can walk that tightrope between those two emotions -- that's his dilemma throughout the season. That's why it's important not to preempt why he's outside prison. We like to think that he's there to create death and destruction, to be the slightly comic version of the Governor. But he might not be that person. There might be another twist in this man and his tale of humanity and how he negotiates survival.

Carol -- as well as Abraham (Michael Cudlitz), Eugene (Josh McDermitt) and Rosita (Christian Serratos) -- are all out there. What are the chances the Governor comes in contact with any of them?

People ask me all those questions all the time, and it's not something I can say.

What will the Governor's next interaction with Rick's group look like?

Everyone is learning lessons about survival. Where does trust lie among these people? This season, we see a new threat happening to everybody: Are we stronger together or apart? The Governor is there and maybe he's got a different plan about that prison and how he gets in there. Maybe he's there to flush something out. We don't know really. The real fine line is can there be trust from Michonne and the Governor? Rick and the Governor? What's to be negotiated? We've seen in real life -- in our life -- that you have to negotiate with your fiercest enemy for the greater good. Revenge is generations and generations of misery. There's a point where some generations get together and say, "Enough of this. We're not going to negotiate with the enemy." That might very well be played out on The Walking Dead.

What do you think of the "new" Governor?  Please comment below with your thoughts.

The Walking Dead airs:

Sundays at 9 p.m. on AMC.

 

source:http://www.hollywoodreporter.com

'Walking Dead':Carol (Melissa McBride)

'Walking Dead': Melissa McBride says 

she was 'floored' by what happened to 

Carol".

  

Like me i'm sure all of you can't wait to see how Daryl reacts when when rick tells him about carol. I guess we still have to wait seeing how the recent episodes are about The Governor (eew) and what happened to him. I wanted to share this interview of Carol (Melissa McBride) with all you "Dead" fans out there like me!  

In a recent interview with Entertainment weekly, Entertainment Weekly chatted with the woman who plays Carol, Melissa McBride, to get her take on the controversial decision. How did she react when she heard the news? What does she think about Carol not being able to say goodbye to Daryl? And will we ever see her character again? Read on for answers!

ENTERTAINMENT WEEKLY: Okay, so that happened.
MELISSA McBride: Well, what did you think?

EW: What did I think? I’m going to tell you what I thought. I am totally Team Carol on this one. She’s making the hard decisions that Rick no longer wants to make. So I really don’t have a problem with what she did and think Rick was way too harsh in leaving her out there alone. But where do you stand, Melissa? Was Carol an asset or a liability to the group?
McBride: On one hand I can understand Rick’s point of view. And certainly I can understand Carol’s point of view because I know her. And I know her heart. It’s an interesting divide and it’s an interesting divide among The Walking Dead fans too. That’s what I love about the show.

EW: Would you have kicked Carol out of the group?
McBride: No, I don’t think I would have. I would have kept it cool on the ride back and maybe I would have put her in a cell until everybody got back and let’s discuss what’s just happened here.

EW: We saw her last week risking her life for the group, and npw she’s fixing dislocated shoulders? Why would you not want that person on your team? She’s doing it all!
McBride: There’s many things about Carol now that proves to be an asset to the group, certainly. But as far as Rick is concerned she is a threat. She is unpredictable, and making these unilateral decisions, and why is she doing this? He can’t quite make out the psyche going on there.

EW: You said the reaction to Rick abandoning her has been mixed. For me this was a bad move by Rick, but you’re seeing both sides of it out there.
McBRIDE: I am. I’m seeing a lot of divisiveness and like I said there are people that can understand Rick’s point of view for saying that he is protecting her again. It’s Sheriff Rick being very methodical about his decision. And, in a way, maybe protecting Carol from the consequences of her actions as far as Tyreese is concerned. He does not want to create a big divide among the group. And on the other hand, you have people that think he’s overreacting and to leave this woman old cold on the road is not fair.

EW: Especially when you look at everything that has already happened to her.
McBride: And they are making great arguments for each. Again, this is what is so masterful about the writing, is that we’re seeing two people making similar decisions in a similar way: Rick making this decision on his own to leave her there; Carol having made that decision to put down Karen and David on her own. And each one thinks that they’ve made the right decision at the time. And in a way, each is right. And in a way, each is wrong.

EW: When we spoke last week you talked about how showrunner Scott Gimple had provided you with an outline before the season began in terms of what Carol’s arc was going to be this season. Was her being abandoned by Rick out in the middle of nowhere part of that outline or did you learn that later?
McBride: I learned that as we went along. I love the way they go about this with us as far as the scripts and when they come and how much we know when. I particularly like the way we don’t know everything up front. But the writing is so good they’re not pulling stuff that is completely out of character for these people. It makes sense for who they are. It makes sense for the circumstances they’re going to find themselves in as we get further and further into the season.

EW: Well, what was your reaction when you found out that this was going to happen?
McBRIDE: It’s one thing when they tell you sort of what’s going to happen. It’s one thing to hear it in a general sense. It’s another thing for me to read it when I get the actual script. And reading that last page floored me as much as it floored Carol. In fact, Carol handled it much better than I did for me. I thought she was a champ. And I was like, ‘What?!?!?‘

EW: I was going to ask you about that. Tell me about how you and Andrew Lincoln played those final scenes in terms of how much emotion to put out there in these final moments they have together. Because I, like you, was surprised at how well she kept it together. She tried her best to get him to change his mind, saw that wasn’t going to happen, and came to accept her fate
McBride: Yeah, she’s accepting her fate. And what’s interesting too is that I remember at the time shooting that standing there with Rick and looking at him and watching him and absorbing these things that he was telling her and I felt this really weird little bit of respect come creeping in for him. Like two equals. I understand where you’re coming from, okay? And to me, that was a weird kind of beautiful thing that I witnessed. I love it when these things crop up during a scene.

EW: She didn't even get to say goodbye to Daryl! The fans are not going to like that at all.
McBride: She didn't get to say goodbye to him. She didn't get to say goodbye to anybody. This is great stuff to me. This is important stuff. Devastating stuff. This world that they’re living in is so mean.

EW: So, of course the big question is: Will we see Carol again?
McBride: I can’t say for sure one way or the other. I hope we do. I hope that’s not the last of her, but you know the way this show is. I don’t know. It’s unpredictable. The show is unpredictable. And we always think, well, if we don’t see them die on camera, there’s always a possibility. And then we do see them die on camera and sometimes they still come back, so who knows?

EW: You guys have the death dinners whenever somebody is killed off and the whole cast takes the actor whose character was just killed out for dinner and drinks. How does this work with you being abandoned but not killed off? Did you at least get a dessert or a Shirley Temple out of it?
McBride: [Laughing] Those death dinners are confidential, and I won’t be discussing that! And you can quote me on that.

EW: This has been such a great arc for this character and it must have been nice to have this juicy material for you to play and to be such a strong — in some senses too strong, perhaps — female character on this show.
McBride: It has been amazing to play this character. She just started out complicated and it’s gotten more complicated. But there’s so much evolution and so much change just dictated by the world that they’re in. Yes, she has been an actor’s dream for me.

The Walking Dead' Exclusive Pic Teases

"The Walking Dead's" David Morrissey

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15. David Morrissey in "The Walking Dead"

    Photo: AMC

"From now on, the dance that he has to play is about which person is he going to be," the actor tells The Hollywood Reporter.

[Warning: This story contains spoilers from the "Live Bait" episode of AMC'sThe Walking Dead.]

AMC's The Walking Dead revealed the Governor's (David Morrissey) backstory Sunday with an episode that picked up immediately where season three concluded, showing the eye-patched villain on the road after his brutal massacre on his own group.

Out on the road after his two henchmen abandon him overnight, the Governor sets up camp with a new group holed up in an apartment building (still!) waiting for the National Guard. There, he goes by a fake name (Brian) and shaves off his beard and shaggy hair -- the signs of his downward spiral and the trademark image of his comic book counterpart. As he bonds with sisters Lily and Tara and young Megan, he saves their lives after their father passes and turns.

Ultimately, "Brian" and the girls hit the road together in search of a better shelter and a new life -- as a new family after the Governor burns the photo of his late loved ones.

The Hollywood Reporter caught up with Morrissey to break down the events of the episode and preview next week's second Governor-focused episode.

The Governor tried to reject companionship. Why?

What we see in episode six is a madman wanting to be isolated, to be on his own, not wanting to have any responsibility. But when he encounters this new family, he realizes that he can reinvent himself and his past. It can give him the opportunity to live as a different person. That's a massively liberating thing for him; he didn't want to get involved with anybody else and have to care about them, love them and have responsibility for them. He's fighting that, but he loses that battle. He has to admit to himself that he does care and he can love. A normal society would think of that as a very positive emotion -- that he is engaged. But in this world, it's a dangerous emotion because if you've got something to lose and fight for, then you're going to get hurt.

Why does the Governor burn down Woodbury?

There's a sense of destruction about it that that was the place he built. His hopes and dreams of another future were placed in that community; that was where the new world was going to be formed. There's something in that destruction -- saying that isn't going to happen, so let's scorch that and get rid of it. It never existed to him. There's a sense from then on that there is closure from his past -- that Woodbury didn't ever exist, that the people didn't exist. There's a blackness about him from then on. It's just a blank space, and that's what he walks away from. Woodbury was built and it could be built again. He doesn't want anybody going to Woodbury. That was his dream and his hopes and dreams were put into that place. The last thing he wants is Rick or anyone to inhabit that space.

Where does he get the idea to use a fake name?

He sees this amazing bond on the wall with messages from survivors. Those are messages of hope, but when you see them written together, they're really messages of despair and of a world gone mad. He sees it as a testament to how the world has gone crazy so that when he's reinventing himself and he tells the story about the past and where he used to live, that name pops into his head. It gives him an identity and place because he's able to say the name of a real person -- somebody who he knows was on the road. It gives him a real chance at total reinvention. Inside that is hope that the name can live on.

The Governor at first folds over his portion of his family photo before ultimately burning it. What's his thought process there? Can he no longer look at himself after what he's done? Is he saying goodbye to his former family in place of a new one?

It's a bit of both. What he looks at is a vision of goodness: his wife and child in good times -- but he can't look at himself because that vision of goodness is gone. When he reinvents himself, he's acknowledging that that's gone now and he has to let that go. He has to rebuild and reinvent and totally commit to going forward. His past is where there are stones around his feet that will only drag him down, and he's got to really invest in his new life. He has to become this other man. He can no longer be Philip, and he has to take away all ties to the past.

We get a glimpse of what the Governor was like as a father when he bonds with young Megan. Is this a way of regaining his humanity?

There's an amount of that that's always there; it's an innate thing. Nobody is all gray and no one is entirely bad. We are a mishmash of those things all the time. The Governor is not saying, "What would it be like to be nice to this young girl?" It's a natural state for him to be, as natural as other messy stuff that he does. It does awaken a great responsibility in him for this girl, her mother and sister. He hates having responsibility, but he is a man who works well with it. Talking care of people he really loves is when he's at his best; it's not something that's manufactured. What I like about that scene is that he's really closed down; he's not going to talk or engage with anybody else. The great thing about kids is they're truth tellers. They don't skirt around politeness. Everyone wants to say to him, "What happened to your eye?" but it takes this little girl to say, "What happened to your eye?" Because she asks him a direct question, it knocks him off-guard and he suddenly goes back to being this playful person. When he says he's a pirate, she gets right under his defense and he starts laughing -- and breaking down at the same time because he can laugh, cry and love. What he wanted more than anything is to build an imaginary padded cell so that nobody could touch him, and someone touches his heart, and from then on he's just falling.

Lily and "Brian" wind up hooking up. How will he handle this romance in a way that's different from Andrea?

He's a different man. With Andrea, he had all sorts of secrets going on in order to keep Woodbury going. He had a different ego: He was in his mancave and he had all attributes of success and was drunk on power. He doesn't have that now and is a man with nothing. He's a homeless guy they take in. He's a much more vulnerable man in every sense. He's more emotional. He's much more open, in a way. Even though he's trying to keep people away from him, there's something about how they touch him in a different way. He's looking at Lily and Megan as if he's looking at his own wife and child. There's an element where he burns his past so that he has to invest in the future and the new people in his life. She's a different woman as well: Andrea was a fighter and had seen terrible things and fought battles; Lily has been isolated in this apartment, and she needs protecting in different way.

Caesar (Jose Pablo Cantillo) and Shumpert (Travis Love) -- the lone witnesses to the Governor's atrocity -- abandon him, but he winds up crossing paths with Caesar at the end. How will "Brian" explain who he really is to Lily, Tara and Megan?

His real problem is that he has spent the entire episode reinventing himself with these people and then someone from his past walks right into his life. That's going to be his problem in episode seven and from then on -- how can he be Brian when he meets someone who knows all about his past? How is he going to play that? That will be his dilemma going forward. The question of how long he can keep this going for, that's this season. From now on, the dance that he has to play is about which person he's going to be. Who will win out? Will it be Brian or the Governor who wins out? Or a new character in between those two characters, who can walk that tightrope between those two emotions -- that's his dilemma throughout the season. That's why it's important not to preempt why he's outside prison. We like to think that he's there to create death and destruction, to be the slightly comic version of the Governor. But he might not be that person. There might be another twist in this man and his tale of humanity and how he negotiates survival.

Carol -- as well as Abraham (Michael Cudlitz), Eugene (Josh McDermitt) and Rosita (Christian Serratos) -- are all out there. What are the chances the Governor comes in contact with any of them?

People ask me all those questions all the time, and it's not something I can say.

What will the Governor's next interaction with Rick's group look like?

Everyone is learning lessons about survival. Where does trust lie among these people? This season, we see a new threat happening to everybody: Are we stronger together or apart? The Governor is there and maybe he's got a different plan about that prison and how he gets in there. Maybe he's there to flush something out. We don't know really. The real fine line is can there be trust from Michonne and the Governor? Rick and the Governor? What's to be negotiated? We've seen in real life -- in our life -- that you have to negotiate with your fiercest enemy for the greater good. Revenge is generations and generations of misery. There's a point where some generations get together and say, "Enough of this. We're not going to negotiate with the enemy." That might very well be played out on The Walking Dead.

What do you think of the "new" Governor?  Please comment below with your thoughts.

The Walking Dead airs:

Sundays at 9 p.m. on AMC.

source:http://www.hollywoodreporter.com/

The Walking dead

For those of you who are just joining the Walking Dead Fan family, Welcome and be prepared to become obsessed.
here is a brief description of the walking dead, so hope we can draw in some more crazy fans like us.

The Walking Dead

Television Series

The Walking Dead is an American horror drama television series developed by Frank Darabont. It is based on the comic book series of the same name by Robert Kirkman, Tony Moore, and Charlie Adlard.


First episode: October 31, 2010
Network: AMC

Airtime: every Sunday 9:00 EST

Characters: 

Daryl Dixon, Rick Grimes, Michonne, Glenn, Maggie Greene, Merle Dixon, Carl Grimes, The Governor, Lori Grimes, Hershel Greene, Shane Walsh, Beth Greene, Tyreese, Carol Peletier, Dale Horvath, Andrew, Karen, Sophia Peletier, Morgan Jones, Andrea, Sasha, Axel, Otis, Amy, Patricia, T-Dog, Jimmy, Zach